Category: Process Studies

Country Living – A Process Study

This is a 9 X 12″ pastel on Fabriano paper.  It’s been awhile since I’ve done a process study.  I hope you enjoy seeing the steps to the finish.   I usually start with a rough sketch in a neutral color to decide placement of objects, etc.

Next I work on the sky.  I know a lot of artists leave the sky to the last, but, for me, it sets the tone of the scene.

Now it’s time o start adding color and painting the objects.

I always work top to bottom and then later go back and add or change the interior items I’m not satisfied with.

Finally, the bottom half is completed and any corrections are made…..actually, I made several to the buildings!

As usual, any comments are more than welcome.  I think I’d like to spend a little time at this farm.

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Pastel Pond

I’ve been doing a lot of sketching lately and will post them soon, however the pastel bug bit me good this week.  I started this Tuesday and I “think” I finished it tonight, however living with it for a day or two may induce me to make some changes as I’m not thoroughly happy with it.  We’ll see….I go back and make changes to paintings all the time.     This is an 8″ X 12″ on  Canson paper using mostly Unisons and Ludwig pastels.

Below are a couple of shots showing my usual way of working.  First, very loosely drawing in area with a pastel pencil and then with landscapes working mostly from top to bottom.  Then I go  back and start changing, adding or subtracting items and color.   I was aiming for a very loose image which I think this qualifies.  In fact, I’m thinking I may go in and sharpen some detail.

Enjoy and please comment if you wish!

In start with the sky in landscapes as it is the source of light and all else follows.

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Marshland in Pastel

This was done on a heavy watercolor paper, first roughing in the background colors, then going over this with brush and water.  This is a process used by many pastelists to put in the background without filling the texture of the paper, thus allowing several layers of pastel as needed.  Once pastel has filled the texture, the color just slides off as you try to add more.  You have a couple of options when that happens, such as spraying with fixitive  which allows a little more pastel to be applied, or you can taka a stiff brush and remove portions of the painting to be changes.

I had picked up an off-brand of watercolor paper to work on and discovered during the process that the paper was a little too textured.  I’ll be keeping the pad for future watercolors, but using  this particular paper for pastels was especially difficult.

I have the process steps below.  The painting is 7-1/2 X  11-1/2 using primarily Unison pastels. Enjoy!

Here is the painting before completing the blending with water.  The sloping horizon line is due to a sloppy photo edit.

Background is now blended.

Here is the beginning of adding the marsh grasses, next is reflections in the water and completing the sky and cloud colors.

 

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Shatze

The following are the steps before completing my latest pastel.  It is a 9 X 12 on La Carte Pastel Card using mostly Unisons.   This is the first pastel I’ve done on any surface besides Canson and watercolor paper.  I think I have found a new friend….it was a lot of fun working on this surface!

I enlarged a photo of Shatze and taped it to the top of my table easel.  I know a lot of people use their computer screens. Perhaps that will be the next step I take.   Anyway, here is the drawing done in a reddish brown  Nupastel.

I don’t usually do the background first, but when I saw how brilliant the colors were showing on this paper (card?), I felt better about working on the cat with some area of comparison.  I didn’t want the background to over-power the cat, but I still wanted to include the delightful colors in the what I think is a blanket over the back of the couch.

I was fairly happy with the face at this stage, although later I could tell I had painted the nose just a bit too long and so corrected it by scraping off pastel and repainting.  But that wasn’t until the rest of the picture was completed.   I’m sure we all go in and make “corrections” after we’ve covered the surface.  But, I think that faces on people and animals are of primary importance. If the face isn’t right, it’s not the right cat!

I think this is where I discovered the nose, plus a few little picky items to correct.

And here I call it done.   (Unless something else jumps out at me after letting it rest a day or two.

Enjoy!

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Big Sur II

The following is a process study of a new pastel called Big Sur II. This painting is based on a photo I took several years ago during a trip Chick and I took up Hwy1. The size is 9 X 12 on Strathmore medium weight pastel paper and using several brands of pastels, including Terry Ludwig, Unison, Girault and Nupastel.

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Kansas Farm in Pastel

This is a 9 X 12 pastel of a farm in Kansas….well, two farms.   I took two shots several years ago and combined them for this painting.

And finally……………..

I hope you enjoyed seeing the steps.

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Autumn Cove

Finished this one this afternoon.  9 x 12 on Canson paper, various soft pastels, but mostly Unisons.  This is another one out of my imagination.  But, I have a couple of photos of scenes ready to use as beginnings for new ones.

Enjoy!

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Autumn Cove – Part 1

Here’s the beginning of a new 9 X 12″  landscape in pastel.  I’ve been away for awhile and have a stack of photos and ideas for paintings, but today was just a landscape day…..even I don’t know what it’s going to look like when I finish because it’s all from my head.        Please enjoy!      (And remember, comments are more than welcome)

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Thinking of Eucalyptus

I’m still unsure of the trees, so I’ve been cleaning my room (I’d love to call it a studio, but that would be stretching it a bit) and just letting the painting simmer.  When I hit spots like this and I work on through, I end up sorry I rushed it………so, here’s what my painting looks like while waiting to be finished.   I know there is a photo of a cute, little dog sitting on the table easel along with a photo of local trees.  That’s Pango.  I think we are now officially attached at the hip or someplace else.  He had a bad ear infection a few weeks ago and it appears the medicine prescribed by our vet caused Bishi to go almost completely deaf.  He has always stuck by my side, but now there is an air of insecurity as well.    No….he didn’t put the photo there to remind me to watch for him….I just like to look at his photos when I’m working on other things.  Which currently is a reorganization of the material in this room.  I expect that when I’m finished and everything is in apple-pie order, I’ll be ready to finish the painting as well.

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Coast Sentinels Step Two

Well, it’s been awhile since I last posted.  Unfortunately, I pinched a nerve in my neck and haven’t been able to sit OR stand at an easel for awhile.   If you scroll down to before the post regarding the display at the bank,  you’ll see the first step in this study.  Hopefully, I’ll get it finished in the next day or two and move on.

I hope you enjoy!

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